New York City Nightlife History – Jesse Keyes

The historical transformations and disruptions of New York Citynightlife are contextually instructive. Beginning with the Industrial Revolution, which brought hundreds of thousands of low wage low skill laborers streaming into the city, nightlife became an integral part of New York’s cultural fabric. From vaudeville acts that pushed the limits of social propriety, to operettas that harkened back to the homelands of Italy and Germany, nightlife activitieswere entrenched in New York’s economic structure.

I willexplore Prohibition, which spurred an explosion in the number and cultural impact of speakeasies that followed. Longstanding local bars were made illegal; that change, combined with an increasing social openness to broad female participation in nightlife activities, created an opening for illegal drinking establishments to both put on entertainment–particularly in the form of that uniquely American musical tradition, Jazz–and to encourage the social comingling of men and women. Jesse Keyes said the Following WWII, the supperclub, made famous by the likes of the Stork Club and the Latin Quarter, became a dominant form of night time activity, offering sophisticated dining, high concept entertainment and a place to do every kind of business imaginable. The historical trajectory reveals yet another stageprior to the currentcomplex variabletypology of nightlife–the often lawless, drug-infused but artistically supportive milieus of the discos, massive nightclubs and underground music scenes–typified by Studio 54, the Tunnel and CBGB’s, respectively–that blossomed during the City’s economic decline of the 70’s and 80’s.

Planning and Nightlife

Jesse Keyes share The thesis will also examine the history of the interaction between planning authorities and the nightlife industry in New York City. Of particular interest will be four elements of conflict and question that derive from nightlife and make their way into the public sphere: alcohol, noise, dancing and crime. The City, using its public powers, has dealt variably with these issues over time through the following planning bodies: the New York State Liquor Authority, the New York City Department of Environmental Protection, the New York City Department of Consumer Affairs and the New York Police Department, respectively. The thesis will explore these agencies and their policy approaches to the regulation of nightlife.

Resource:- https://jessekeyesus.blogspot.com/2020/09/new-york-city-nightlife-history-jesse.html

Developer Jesse Keyes turns unconventional into bold statement

If there was ever a case of a building perfectly mirroring its developer, it would be One Seventh and Jesse Keyes. Both are angular, ultra-chic, smart and aggressive. Both are also making their emphatic debut on the New York architecture and style worlds.

Built on a 45-degree angle at the juncture of four different streets where Seventh Ave. South meets Varick and Carmine Sts., One Seventh resembles a hulking helm of a slick, futuristic boat or space-age flying machine. Six stories tall with just four units, the corner building shaped in an angular prism has a façade of manganese ironspot brick and Solarban 80 double-paned glass.

The side of the building on Seventh Ave. South that parallels the rush of autos making their way to Tribeca or the Holland Tunnel has bold racing stripes and competing slabs of vertical windows. On the mellower Carmine St., Juliet balconies face the local cafes, old-time Spanish restaurants and bootleg record stores. One Seventh blends seamlessly with its intersection and has gainied total community board support.

“No developer would take a chance on this site, which was operated as a gas station since the 1920s and unused for almost a decade,” says Jesse Keyes, 35, an investor in the swank Goldbar and a partner in La Esquina, one of New York’s hippest eateries. “They said it was too small or that the shape wouldn’t work. I saw it as an opportunity. We took design risks with this project that architects generally do with museums and public spaces.”

Designed by Rogers Marvel Architects, the same firm recently awarded the Governors Island commission, One Seventh is allegedly the world’s first full-floor triangular residence. To make the project work financially, Keyes’ development firm REcappartners worked with zoning attorneys Charles Rizzo & Associates to help get a variance to build higher than the allowed three floors. On top of the building, Keyes built a penthouse duplex with two outdoor terraces, both of which lean toward the corner angle.

“The question we had to answer was, how does one live in a triangle,” says Keyes, who plays a hand in every design decision. “When I picture who is going to live here, I see an investment banker with an artist inside or an artist with a lot of money. I see the banker sitting totally naked in a chaise longue at the apex of the 45-degree angle, looking out at the cars driving down Seventh Ave., on the phone with his friends, thinking: ‘How am I going to own this town tonight?'”

With hardly any marketing, they have two offers for the four units. One from a banker, the other from the son of a Spanish film producer. Prudential Douglas Elliman’s Kevin King, a two-year agent who happens to be the long-time maitre d’ at Balthazar, heads up sales. The three 1,371-square-foot, two-bedroom, two-bath apartments are listed for $1,995,000. The 2,106-square-foot, three-floor penthouse with 961 square feet of outdoor space costs $4.45 million.

“We’re waiting till the units are completely finished until we formally sell the apartments,” says King. “A finished product will show how unique this project is and assure we get what it’s worth.”

Jesse Keyes comes from both sides of the tracks. His parents were hippies. His mother, a lesbian, split from his father but stayed in Redwood City, Calif., supporting her two children as a gardener. As Jesse puts it, they lived on the “wrong side of the tracks.” Ironically, she tended gardens near Jesse’s father’s estate in Woodside, Calif.

“Mom was a real hippie, and dad was a pseudo-hippie,” says Keyes, who was called “Blanquito,” or little white boy by his Pueblo Mexican barrio neighbors. “Half the time I was in my poor Mexican ‘hood with my mom and the other half with a swimming pool, Mercedes, Porsches and horses with my dad.”

Keyes talks openly about his desire but inability to communicate with his Spanish-speaking neighbors. He talks openly about almost everything, especially his drive to never stop learning or moving.

“There’s a point where you grow up in suburbia that you say I’m either going to get stuck in this for the rest of my life or do something fascinating or interesting,” he says. “I was visiting a friend in Mexico City when I was 17 years old. We were in his family’s penthouse and I was looking over the slums of the city, whose people needed major help at the time. I thought to myself, we as capitalists need to do better for these people. It was then that I knew I needed to focus on this for the rest of my life.”

For Keyes, that meant Princeton, a year in Spain to learn the language, a Fulbright Fellowship and a master’s in architecture in Catalonia, a Kinne Fellowship in the Dominican Republic, a job with the prestigious Boston Consultant Group, a master’s in real estate from Columbia University, a doctoral candidacy and teaching fellow at Rutgers University in Urban Planning, and roles in the Gore and Kerry presidential campaigns.

“My father is good friends with Gore from St. Albans,” says Keyes, whose great-grandfather on his father’s side was Democratic Senator Morris Sheppard from Texas who championed Prohibition and women’s rights. “My goal was eventually to work in Housing and Urban Development [HUD]. After those two losses, I planned to teach and research through my 30s. But academia, especially in our current political climate, was not as fulfilling as I thought. Building strong architectural projects is a way to make my mark and some money. Eventually, I will get back into affordable housing and giving back in some way.”

Keyes’ next project is already a major coup for him and New York. Working with Habita, a Mexican group known globally for designing and operating some of the world’s chicest boutique hotels, Keyes will open a Mexican-themed, mixed-use hotel and condo project in a location below Houston St. on the East Side. Mexican architect Enrique Norton, who designed One York on Canal St. in New York and the Guggenheim in Guatemala, is an equity partner in the project.

“I want to make a unique statement and be part of the next big place,” says Keyes, whose groomed beard and middle-parted hair give him the look of Al Pacino in “Serpico.” “You hope it doesn’t become something like what happened in the Meatpacking District, which had little thought and planning and became oversaturated with the same product, bars and restaurants. There should be mixed use there. And the Hotel Gansevoort is a mistake. I don’t know how they got that built.”

Slightly controlling, obsessive about details, and intellectually strategic, Keyes even wrote the copy for the One Seventh marketing materials. (I haven’t met a developer yet who does that.) He prefers to focus on one project at a time as opposed to stretching himself thin and losing touch with the day-to-day decisions that these high-design projects demand.

“Scalability will be hard because for each project I’m looking for a specific art and message,” says Keyes. “In any case, when you get bigger you lose control over certain levers, and I don’t want that to happen.”

Still, according to Thaddeus Briner, the architect for One Seventh, formerly of Rogers Marvel (and I.M. Pei’s firm) and now on his own, Keyes is a very good client. “This was a dream project,” says Briner. “It combined a really challenging site with an extremely progressive client. Those don’t come along very often.”

Resource:- https://www.nydailynews.com/life-style/real-estate/developer-jesse-keyes-turns-unconventional-bold-statement-article-1.339485

The New York City Nightlife Industry as an Economic and Cultural Foundation for Labor Development By Jesse Keyes

The New York City nightlife industry produces thousands of high paying service sector jobs that provide a powerful economic foundation for the city’s labor force. Moreover, nightlife venues furnish an important place of engagement for those who aim to develop human capital to enable movement outside of the industry, as well as supporting the ambitions of cooks and careerists inside the industry. While studies have looked specifically at the importance of artists in a regional economy[1] and the nature of nightlife as a “central nexus between commerce and culture,”[2] the proposed dissertation aims to understand the extent to which the nightlife economy can directly underwrite investment into and the development of labor force economic opportunity, and particularly of artistic endeavors. In so doing, this thesis will support better formation and understanding of public policies that engage with the development and operation of nightlife.

In addition to the overall historical development of New York City nightlife, the literature review component of the proposed dissertation will examine the evolution of City planning mechanisms as they relate to and have interacted with the nightlife industry. Historically, there have been many points of tension between the city’s nightlife establishments and the community; these continue to this day.[3] To better understand these tensions, and to better appreciate the ways in which planning and public policy can address them, Jesse Keyes will analyze the ways in which regulatory levers of power have developed to counter facets of nightlife establishments that create disruptions to the communities in which they are situated.

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Given the planning and public policy context, developed in the literature review, of the relationship between the nightlife industry and New York City planning and public policy, I posit three key research questions by which to study sector-wide economic aspects of the nightlife industry, while focusing in on the employee base:

How big is the industry? To date, this question has not been carefully researched. With estimates ranging from $5-$20 billion per year, it deserves closer attention.
How are nightlife venues funded? More particularly, what is the source capital for their development, and what is the nature and scope of their ongoing income streams? Understanding why and how money flows into nightlife can better illuminate the economic influences the industry has on its labor force.
How do nightlife employees spend and invest their incomes and leverage the skills they learn? An occupational approach to understanding an industry examines the skills and capabilities embedded in labor. This thesis will look to understand how human capital is developed through employment with nightlife venues.

Jesse Keyes said, A series of places where creative businesses are generated, where capital flows into “Art Worlds,” infusing artists and would-be artists with human and financial capital and market legitimacy.

[1] Ann Markusen and David King, “The Artistic Dividend: The Arts’ Hidden Contributions to Regional Development,” Project on Regional and Industrial Development (Humphrey Institute of Public Affairs, 2003).

[2] Elizabeth Currid, The Warhol Economy: How Fashion, Art and Music Drive New York City (Princeton: Princeton University Press, 2007), 6.

[3] Kristen Demaline, “The Quality of Life in Community District 3: Nightlife Impacts,” prepared for Manhattan Community Board 3 (May, 2011).

Fashion Competitions for Young Designers – Jesse Keyes

Jesse Keyes is a co-owner and operating partner of the bar, restaurant and Hotel Griffou who specialize in fashion design and develop businesses and they have too much experience in this field.

Fashion show is the event that communicates and represents a fashion story. It is an event put on by a fashion designer to show his or her upcoming line of clothing during Fashion Week. Fashion shows launch every season, specifically the Spring/Summer and Fall/Winter seasons. This is where the latest fashion trends are made.

The two most influential fashion weeks are Paris Fashion Week and New York Fashion Week, which are both semiannual events. Also the Milan, London and Berlin Fashion Weeks are of global expectancy. It is one of the tools of fashion promotion.

How Do We Create and Make Our Own Fashion and Design?

Honestly, many people wear any clothes that make them comfortable. Comfort is one of the factors that affect our fashion style. Some people simply go to the comfort they feel when they wear clothes. Design and style for some people does not matter unless they are comfortable. For others, style, design and comfort should go together.

One more thing is our personality. The personality or character of a person is another reason, due to which we have our own design in clothing. The way we think, the way we work, the way we speak and the way we interact, it creates our personality and character.

The design of our garments depends on our own approach and thinking. The environment is also a reason to be your own elegant. Environment means your place, culture and tradition in weather and area in your place. The budget is equally important due to the above reasons. With a limited amount of money, everyone cannot go with what they want to wear for their desired style. People’s comments can influence our thinking as soon as it comes to fashion.

Are you a young fashion student or an emerging designer looking for some opportunity to show all your creativity? Today we speak about the best 10 fashion competitions of the first part of 2018 that will boost your talent. Hurry up!

There’s no time to waste! Fashion is calling and is searching the best talented designers all over the world. Jesse Keyes gives you one of the best way to promote yourself, to live an exciting adventure and to deal with other creative, to know new points of view and have the first important feedback about your talent.

Many competitions give great opportunity in terms of internships or job contacts, other is real supports for the designer’s career and others showcase the collections through runways and exhibition. Whatever is the fashion competition that sounds better for you, don’t waste your time and apply very quickly. The opportunity of your life may be waiting you just around the corner!